Igor Stravinsky was born in 1882 and raised in St. Petersburg where his love for music was kindled at the age of 8 after seeing a performance of Tchaikovsky’s ballet, “The Sleeping Beauty”. Throughout his life, Stravinsky would travel the world. This included spending significant portions of his life and career in places such as Switzerland, France, and finally in the United States where he would live out the rest of his life. During his time living in the U.S. he resided in the Los Angeles area but later chose to make the move to New York City, where he passed away in 1971.
The work of Stravinsky has continued to be influential and important in the realms of composition and classical music, and is broken into three large categories of work. The Russian period is generally thought to consist of the work which he created between the years of 1908 and 1919. Significant work from this period included three ballets that he composed; which include L’Oiseau de Feu, Petrushka, and The Rite of Spring. This period is also noted for a riot which was caused by the premiere of the first of those ballets in 1913.
The next period in his career was significantly longer, and runs from roughly 1920 to 1954. This period is characterized by his attention which was turned to the music of the classical period. He spent time working with the material of Mozart and Bach. The music he wrote in this period was characterized of sparser arrangements than that of his earlier work, which typically employed extremely large and full orchestras, as opposed to the Neoclassical work which was much more typically using wind orchestration with a piano, as well as choral arrangements.
The final period of his career started in 1953, and is known as the serial period. He turned to a type of composition which included dodecaphony. This is a twelve tone method that was created by Shoenberg. Interestingly enough, these two lived very near to each other during this period in L.A., but they never became friends or spent much time together. The compositions from this time such as Cantata, Septet, and Three Songs from Shakespeare were composed with serial techniques which were NOT twelve-tone based.
Stravinsky contributed many innovations to the field and his particular use of rhythm and of the large orchestra were both considered innovations of the time. His compositional techniques during all of his significant musical periods have provided significant influence on both his contemporaries and on those who have come afterwards.
Learn more about Stravinsky by playing Igor Stravinsky Trivia, the Igor Stravinsky Quiz and Igor Stravinsky Quizzes at MastersOfTrivia.com.